NEW

HÉLÈNE MODÉBADZÉ

LES FLÈCHES

COLLECTION THE DEEP ROOTED

DIRECT CARVING ON WOOD

NEW - JUST IN

NICOLAE A. ENE

UNTITLED - REF 15-19

Another great masterpiece  after 10 weeks of work.

JUST IN

VANESSA LONGO

HOW AND IF HIS WINGS WERE BROKEN, EVEN THE ANGEL WAS NOT GIVEN TO KNOW

Come e se si eran spezzate le sue ali, nemmeno all'angelo era dato di sapere

This picture is about an angel, an urban angel. The lights of the city protect him from this heavy and polluted air. His wings are broken, but he doesn't even know when it happened. He woke up one day and his wings no longer flew. Then, to look at the sky, and not to lose any of the nuances of the place where he comes from, and to which it feels he belongs, he painted a thousand eyes on his feathers. The earth now is a hostile place; humans do not need him. He takes refuge; he seeks shelter under a too small leaf. There is no safe place for him, and his broken wings crumble. He is forgotten by the world.

VANESSA LONGO - 2018

PENSI DI RIUSCIRE A GUARDARE MENTRE BEFFARDA ABBANDONO IL MIO PIUMAGGIO

You think you can watch while mocking  abandon my plumage

During her  short visit in New York, Vanessa Longo made this beautiful painting.

Combining acrylic painting and copper foil on wood panel, Vanessa Longo translates her meditations.

This is what she wrote to explain this painting:

"Abandoning the plumage means to be exactly who you are - no social filter. It is a desire,but, at the same time,  the fear of being unconventional. The plumage also represents a heavy emotional weight. Each and everyone of us has it. It is the result of our personal background experiences, memories, suffering, wounds hard to forget; hard to forgive.

We deeply desire to be accepted for who we are, but most of time, we are not strong enough. However, we are strong enough to watch another person abandoning their plumage while we ourselves are unable  do to so." - Vanessa Longo - Dec. 2018

HENRI BAVIERA

KORSHOR - 2000  130 x 163 cm

From "Field Painting" to "Abstract Expressionism"; a great admirer of Mark Rothko, Henri Baviera takes over the pictorial space by pushing forward the limits of "all over"